Latest Works

From 2020 to Present

This is a gallery of recent works completed along with a story inspiration behind each piece. Most of these works are highly detailed, meditative, and take upwards of 80+ hours to complete. The work shown here may be experimental, using new techniques and medium but always in my own unique aesthetic. Enjoy.

Ophelia © Kristin Maija Peterson


Watercolor Pencil on 140lb 100% Cotton Hot Press Stonehenge Watercolor Paper.
20.5” H x 16” W. Unframed. © 2020 Kristin Maija Peterson I 1700 USD

I want to live in a time before plastic. That would probably place me around 1907 when my grandmother was just a little girl. Ironically, plastic was to relieve stress and dependence on natural resources. Wood, metals, ivory, horn, and tortoiseshell are finite. At first, plastic was a good thing for the environment. We were free to develop the things that served a need without taking from the natural world.

By the time I entered the world in the 1960s, the world was just waking up to the plastic nightmare it had created. I remember seeing the now-classic environmental message, the television footage of the Native American who paddles his canoe ashore drawn to tears witnessing the piles of floating (plastic) trash in his wake.

Plastic continues to be a colossal environmental problem. It’s floating around everywhere, including in our bodies. So on a lovely bright sunny autumn day, I look up to see a robin’s nest partially constructed with one of those single-use plastic bags you find in the produce aisle. Oddly, it struck me as beautiful and at the same time tragic. How clever the bird! With plastic lining its sides, her nest insulated against moisture. The loose plastic blowing in the wind acts as a deterrent from predators looking for baby birds to eat.

I can only speculate the long-term damage plastic exposure has on her offspring and no doubt herself. Are her babies destined to use plastic in their nests, too? How much plastic ingested while handling fraying synthetic sacks while building a nest?

If you’ve read to this point you’re probably still wondering why I titled this piece “Ophelia.” True, it might not be the most fitting but the flowing plastic falling out of the robin’s nest made me remember seeing a production of Shakespeare’s “Hamlet” on the Guthrie stage.

The costumes were stunning, each designed to mirror the characters and their station. At the beginning of the play, the young and very much in love Ophelia is beautifully dressed, not a hair out of place. As the story unfolds and Hamlet disses her, Ophelia begins to go mad. Likewise, her clothing becomes unhinged, loose, and flowing, out of control.

We are out of control, addicted, so much that there is no spot on earth left untouched by plastic. But we know what to do. There are ways to reduces our dependency on plastic though it takes time to find resources and change habits. I want to live in a time without plastic. I want to look up and discover the robin’s nest built as it should be, with mud, twigs, and a little down.

Please Pardon the Wet Paint

This page is a work in progress.


Terra Kind Studio showcases the creative work of visual artist and designer Kristin Maija Peterson. Growing up among prairies, lakes, rivers, and oak savannas along with her project work with environmental nonprofit organizations have collectively influenced her creative path. Kristin works in watercolor, graphite, color pencil, oil pastels and pen and ink, interpreting in detail the beautiful chaos within native wild spaces and its inhabitants found living there. She sees all living creatures as kin and is always kind to spiders.

Contact the Studio

p: 651 318 7100


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